Dr ALEXEI LIDOV

 

 

A LIST OF MAIN PUBLICATIONS

 

The author of more than 70 publications on the

history of Byzantine, Medieval Russian,

Armenian and Georgian Art

 

 

BOOKS  (Monographs, collections of articles, catalogues):

 

           Srednevekovye freski Gruzii (Medieval Frescoes of Georgia).

 Moscow, 1985

 

 The Mural Paintings of Akhtala.

            Moscow, 1991.

 

            Ed., Ierusalim v russkoi kulture (Jerusalem in Russian    

            Culture). Moscow, 1994    

             

            Ed., Vostochnokhristianskii khram: liturgia i iskusstvo

            (The Eastern Christian Church. Liturgy and Art).

            Sankt-Petersburg, 1994

           

            Ed., Chudotvornaya ikona v Vizantii i Drevnei Rusi

            (The Miracle-Working Icon in Byzantium and Old

            Rus). Moscow, 1996  

           

          Vizantijskie ikony Sinaia (Byzantine Icons of Sinai).

            Moscow - Athens, 1999

 

           The Miraculous Image. The Icons of Our Lady in the    

            Tretyakov Gallery. Moscow, 1999 (with Galina Sidorenko)

           

           Ed., Ikonostas. Proiskhozdenie-razvitie-simvolika

            (The Iconostasis. Origins-Evolution-Symbolism).      

            Moscow, 2000

           

  Ed., Relics in the Art and Culture of the Eastern Christian World.                            

  Material from the International Symposium. Moscow, 2000

 

           Ed., Christian Relics in the Moscow Kremlin. Moscow, 2000

 

           Ed., Eastern Christian Relics. Moscow, 2003

 

           Ed., Hierotopy. Studies in the Making of Sacred Spaces. Moscow 2004

             

Spas Nerukotvornyi i russkoi ikone (The Holy Face in Russian Icons).      Moscow, 2005 (with Lilia Evseeva, Natalia Chugreeva)

 

Ed., Jerusalem in Russian Culture. New York, Caratzas Publisher, 2005 (with Andrei Batalov)

 

Ed., Relics in Byzantium and Medieval Russia: written sources.   Moscow, 2006

 

Ed., Hierotopy. Creation of Sacred Spaces in Byzantium and Russia. Moscow, 2006

 

Ed., New Jerusalems. The Translation of Sacred Spaces in Christian Culture. Moscow, 2006 

 

Ed., Hierotopy. Comparative Studies. Moscow, 2006 (forthcoming)

 

 

MAIN ARTICLES:

           

             L'art des Armeniens Chalcedoniens // Atti del

            Quinto Simposio Internazionale di Arte Armena

            1988, Venezia 1992, pp.479-495

 

            Obraz Khrista-arkhiereia v ikonograficheskoi programme       

            Sofii Okhridskoi (The Image of Christ the Archpriest in the

            Iconographic Program of Saint Sophia at Ohrid) //

  Zograf, 17 (1986), pp.5-20.

           

            A short version of this paper in French: L'Image du Christ-

            prelat dans le programme iconographique de

            Sainte Sophia d'Ohride // Arte Cristiana, fasc.

            745. Milano, 1991, p.245-250

 

            Khristos-sviaschennik v ikonogaficheskikh prorammakh    

            XI-XII vekov (Christ the Priest in the iconographic    

            programs of the 11th and 12th centuries) // Vizantijsky    

           Vremennik, 55 (1994), pp.187-192 

          

            Christ the Priest in Byzantine Church

            Decoration of the Eleventh and Twelfth Centuries //

            Acts. XVIIIth International Congress of Byzantine Studies.

            Selected Papers. Moscow,1991. Vol.III: Art History,   

            Architecture, Music. Shepherdstown, WV, 1996, pp.158-170

 

            Obraz Nebesnogo Ierusalima v vostochnokhristianskoi    

            ikonografii (The Image of the Heavenly Jerusalem in

            Eastern Christian Iconography) // Ierusalim v russkoi  

            kulture (Jerusalem in Russian Culture). Moscow, 1994

           

            Heavenly Jerusalem: the Byzantine Approach // The Real    

            and Ideal Jerusalem in Jewish, Christian and Islamic Art.    

            Jerusalem, 1997-1998, pp.341-353

                       

            Byzantine Church Decoration and the Schism of 1054 //

            Byzantion, LXVIII/2 (1998), pp.381-405

           

             O simvolicheskom zamysle skulpturnoi dekoratsii    

            Vladimiro-Suzdalskikh khramov XII-XIII vekov (On the    

            Symbolic Concept of the Sculptural Decoration of the   

            Vladimir-Suzdalian Churches) // Drevnerusskoye   

            iskusstvo. Vizantija. Balkany. Rus’. XIII vek.     

            Moscow,1996, pp. 172-184

            

             Chudotvornyie ikony v khramovoi dekoratsii (The Miracle-                                               

             Working Icons in Church Decoration. On the Symbolic    

             Concept of the Imperial Doors of St.Sophia in    

             Constantinople) // Chudotvornaya ikona v Vizantii i      

             Drevnei Rusi (The Miracle-Working Icon in Byzantium    

             and Old Rus). Moscow, 1996, pp.44-75             

 

             Ikonostas: itogi i perspektivy issledovania

             (The Iconostasis: the current state and perspectives of research) //       

             Ikonostas. Proiskhozdenie-razvitie-simvolika

   (The Iconostasis. Origins-Evolution-Symbolism). Moscow, 1999

 

            Vizantiiskii Antependium. O simvolicheskom prototipe   

            vysokogo ikonostasa (The Byzantine Antependium. On a  

            Symbolic Prototype of the High Iconostasis) // Ikonostas.       

            Proiskhozdenie-razvitie-simvolika (The Iconostasis.   

            Origins-Evolution-Symbolism). Moscow,1999

 

            Obrazy Khrista v khramovoi dekoratsii i vizantiiskaia  

            khristologia posle Skhizmy 1054 goda (Images of  

            Christ in Church Decoration and Byzantine Christology  

            after the Schism of 1054) // Iskusstvo Vizantii i Drevnei   

            Rusi ( The Art of Byzantium and Old Rus’, devoted to the   

            memory of  A.N.Grabar (1897-1997). Saint Petersburg,   

            1999

           

  Relics as Icons in the Sacred Space of Byzantine Church // Relics in

  the Art and Culture of the Eastern Christian World. Moscow, 2000

 

            The Sacred Space of Relics // Christian Relics in the Moscow

   Kremlin. Moscow, 2000

          

Miracle-Working Icons of the Mother of God //  Mother of God.      Representation of the Virgin in Byzantine Art. Ed. Maria Vassilaki. Athens, ‘Skira’, 2000, pp.47-57

 

The Flying Hodegetria. The Miraculous Icon as Bearer of Sacred Space //    The Miraculous Image in the Late Middle Ages and Renaisssance. Ed. E. Thuno, G. Wolf. Rome, 2004

 

Hierotopy. The Creation of Sacred Spaces as a form of Creativity and Subject of Cultural History // Hierotopy. The Creation of Sacred Spaces in Byzantium and Medieval Russia. Moscow, 2006

 

Spatial Icons. The Miraculous Performance with the Hodegetria of Constantinople // Hierotopy. The Creation of Sacred Spaces in Byzantium and Medieval Russia. Moscow, 2006

 

Leo the Wise and the Miraculous Icons in Hagia Sophia // The Heroes of the Orthodox Church. The New Saints, 8th to 16th century. Ed. E. Kountura-Galaki. Athens, 2004

 

The Miracle of Reproduction. The Mandylion and Keramion as a paradigm of sacred space // L'Immagine di Cristo dall' Acheropiita dalla mano d'artista, ed. C. Frommel, G.Morello, G. Wolf. Citta del Vaticano, Rome 2005

 

Bogomater' Farosskaya. Imperatorskii khram-relikvarii kak konstantinopolskii Grob Gospoden' (The Theotokos of the Pharos. The Imperial church-reliquary as the Constantinopolitan Holy Sepulchre) // Vizantiiskij mir. Iskusstvo Konstantinopol'a i natsionalnye traditsii (The Byzantine World. The Art of Constantinople and National Traditions). Saint Petersburg, 2005  

 

Svyatoi Mandylion. Istoria Relikvii (The Holy Mandylion. A History of the Relic) // Spas Nerukotvornyi i russkoi ikone (The Holy Face in Russian Icons). Moscow, 2005

 

The Canopy over the Holy Sepulchre: On the Origins of Onion-Shaped Domes // Jerusalem in Russian Culture. New York, 2005

 

The Creator of Sacred Space as a Phenomenon of Byzantine Culture // The Artist in Byzantium / Ed. M. Bacci. Pisa, 2006 (forthcoming)

 

Holy Face-Holy Script-Holy Gate: Revealing the Edessa Paradigm in Christian Imagery // Mandylion. Intorno al Sacro Volto / Ed. G. Wolf. Firenza, 2006